Filed under: Concert Review | Tags: 1980's, Central Park, Concert, Duran Duran, Justin Timberlake, Red Carpet Massacre, Simon LeBon, The Reflex, Timbaland
Last night in Central Park, Simon LeBon and friends attempted to transport the gathered masses back to their glory days of the 1980’s. Unfortunately, a rather enjoyable and spirited performance by the surprisingly on-point frontman would end up struggling to overcome an ill conceived mid-concert electronica showcase and a set list seemingly designed to kill momentum rather than build on it.
In a move seldom seen these days, the band actually took the stage at the time printed on the ticket (rather than the prima donna practice of making the fans wait in an attempt to generate manufactured crowd buzz) and proceeded to showcase their newest release, the Justin Timberlake and Timbaland produced “Red Carpet Massacre” by opening with three straight cuts from the album. While the new songs, especially “The Valley” were well received, it was obvious the crowd was ready for selections from DD’s extensive catalogue of hits. The boys finally gave the crowd what they wanted once the opening notes of early MTV standard “Hungry Like The Wolf” cut through the night’s twilight sky. The sing-a-long continued on “Planet Earth” and the crowd clamored for more when the band decided to take an unfortunate detour with “Falling Down” off the new record. While “Falling Down” is probably the strongest track on the new CD, the band missed an opportunity to take the show to another level and it would become a recurring theme throughout the show. The crowd surged again as DD bounded through “The Reflex”, “Save A Prayer” and in my opinion the best song of the night “View To A Kill” on which LeBon sounded just like he had 20 years earlier, but once again they would pull the plug on the night’s growing electricity by turning the stage dark to set up for a strangely disconnected electronica set which included what seemed like extended mixes of “All She Wants”, “Warm Leatherette” and “Skin Trade”. Once LeBon mercifully ended that debacle and introduced the band, DD were finally ready to attempt a climb out of the hole they had dug for themselves and send the crowd home happy (or at least feeling like they got their money’s worth). DD reached it’s highest level of the night on the body shaking “Notorious” and “Girls on Film”, the crowd favorite “Ordinary World” and the show stopping anthem “Wild Boys” bringing the loudest cheers of the evening from a still appreciative throng which seemed to excuse the band’s many missteps. The night ended when DD performed it’s biggest hit “Rio” as an encore and thanked the fans for their support.
The overall concert experience was quite enjoyable and DD proved that even a badly planned stage show and uneven set list can sink somewhat into the background amongst a night of truly strong musicianship, a throwback performance from one of the 1980’s biggest sex symbols and a crowd that wanted nothing more than to enjoy the memories of a time when songs were less about messages and meanings and more about fun.
Filed under: Albums You Should Own | Tags: Acoustic, Eirik Glambek Bøe, Erlend Oye, Kings of Convenience, Leslie Feist, Marcin Oez, Riot On An Empty Street, Whitest Boy Alive
Kings Of Convenience
Riot On An Empty Street (2004)
About the Artist: Kings of Convenience is the collaboration of uber DJ/Singer Erlend Oye (The Whitest Boy Alive) and singer/songwriter Eirik Glambek Boe (Kommode). Together since 2000, the duo has released 3 albums and are currently in Mexico working on a new album that will be released sometime in 2008. Both artists have also released solo projects like Oye’s wonderful album “Dreams” with his “The Whitest Boy Alive” partner DJ Marcin Oez.
About the Album: Have you ever imagined what Simon and Garfunkel would sound like today if they had never broken up and were privy to current recording technology? The answer is Kings of Convenience and the album they would have made is Riot On An Empty Street. The heartfelt opener “Homesick” reminds of the classic road weary track “America” as Oye and Boe harmonize over breezy acoustic chords and paint a picture of longing and soul searching. Standout compositions like “Misread” (the only up-tempo piece included), “I’d Rather Dance with You” and the quietly powerful “Live Long” beg for multiple listens before they almost dare you to try to forget the beautiful melodies that will stick inside your brain. The one-two punch at album’s end with the folk influenced “Gold In The Air of Summer” and the moving collaboration with canadian songstress Leslie Feist “The Build Up”, which stands as their most stark and emotive single to date. Riot On An Empty Street is a truly complex and satisfying album that from beginning to end forms a sanctuary you will want to visit again and again.


